All titles are presented in 35mm film unless noted otherwise

Wed 16 Sep
7:20PM
Braveheart (MA 15+, 1995)
Braveheart (MA 15+, 1995)
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Thu 17 Sep
7:20PM
Lethal Weapon (M, 1987)
Lethal Weapon (M, 1987)
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Fri 18 Sep
7:20PM
Predator (M, 1987)
Predator (M, 1987)
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Sat 19 Sep
2:00PM
Splash (PG, 1984)
Splash (PG, 1984)
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Sat 19 Sep
4:30PM
13 Going on 30 aka 'Suddenly 30' (PG, 2004)
13 Going on 30 aka 'Suddenly 30' (PG, 2004)
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Sat 19 Sep
6:45PM
Who Framed Roger Rabbit (PG, 1988)
Who Framed Roger Rabbit (PG, 1988)
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Sun 20 Sep
1:30PM
Great Expectations (M, 1998)
Great Expectations (M, 1998)
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Sun 20 Sep
4:00PM
Dangerous Liaisons (M, 1988)
Dangerous Liaisons (M, 1988)
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Sun 20 Sep
6:45PM
American Beauty (MA 15+, 1999)
American Beauty (MA 15+, 1999)
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Wed 23 Sep
7:20PM
The 6th Day (M, 2000)
The 6th Day (M, 2000)
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Thu 24 Sep
7:20PM
Blades of Glory (M, 2007)
Blades of Glory (M, 2007)
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Fri 25 Sep
7:20PM
Citizen Kane (PG, 1941)
Citizen Kane (PG, 1941)
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Sun 27 Sep
2:00PM
A Cinderella Story (PG, 2004)
A Cinderella Story (PG, 2004)
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Sun 27 Sep
4:15PM
Material Girls (PG, 2006)
Material Girls (PG, 2006)
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Sun 27 Sep
6:30PM
The Lizzie McGuire Movie (G, 2003)
The Lizzie McGuire Movie (G, 2003)
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Wed 30 Sep
7:20PM
Sat's Selections (R 18+)
Sat's Selections (R 18+)
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Thu 1 Oct
7:20PM
Sleepers (MA 15+, 1996)
Sleepers (MA 15+, 1996)
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Fri 2 Oct
7:20PM
Alien: The Director's Cut (M, 2003)
Alien: The Director's Cut (M, 2003)
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Sat 3 Oct
11:00AM
The Lord of the Rings: The Fellowship of the Ring (M, 2001)
The Lord of the Rings: The Fellowship of the Ring (M, 2001)
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Sat 3 Oct
2:45PM
The Lord of the Rings: The Two Towers (M, 2002)
The Lord of the Rings: The Two Towers (M, 2002)
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Sat 3 Oct
6:45PM
The Lord of the Rings: The Return of the King (M, 2003)
The Lord of the Rings: The Return of the King (M, 2003)
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Sun 4 Oct
2:00PM
Mrs. Winterbourne (M, 1996)
Mrs. Winterbourne (M, 1996)
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Sun 4 Oct
4:30PM
Who Framed Roger Rabbit (PG, 1988)
Who Framed Roger Rabbit (PG, 1988)
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Sun 4 Oct
7:00PM
Chasing Amy (MA 15+, 1997)
Chasing Amy (MA 15+, 1997)
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Wed 7 Oct
7:20PM
End of Days (MA 15+, 1999)
End of Days (MA 15+, 1999)
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Thu 8 Oct
7:20PM
The Time Machine (M, 2002)
The Time Machine (M, 2002)
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Fri 9 Oct
7:20PM
The Departed (MA 15+, 2006)
The Departed (MA 15+, 2006)
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Sat 10 Oct
2:00PM
The SpongeBob SquarePants Movie (G, 2004)
The SpongeBob SquarePants Movie (G, 2004)
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Sat 10 Oct
4:15PM
Yellowbeard (PG, 1983)
Yellowbeard (PG, 1983)
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Sat 10 Oct
6:30PM
The Battle of Algiers (M, 1966) (ENG Subs)
The Battle of Algiers (M, 1966) (ENG Subs)
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Sun 11 Oct
2:00PM
The Baby-Sitters Club (G, 1995)
The Baby-Sitters Club (G, 1995)
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Sun 11 Oct
4:20PM
Radio Days (PG, 1987)
Radio Days (PG, 1987)
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Sun 11 Oct
6:15PM
Charlie and the Chocolate Factory (PG, 2005)
Charlie and the Chocolate Factory (PG, 2005)
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Wed 14 Oct
7:20PM
The Grifters (M, 1990)
The Grifters (M, 1990)
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Thu 15 Oct
7:20PM
Children of Men (MA 15+, 2006)
Children of Men (MA 15+, 2006)
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Fri 16 Oct
7:20PM
Pirates of the Caribbean: The Curse of the Black Pearl (M, 2003)
Pirates of the Caribbean: The Curse of the Black Pearl (M, 2003)
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Sat 17 Oct
2:00PM
The Matrix (M, 1999)
The Matrix (M, 1999)
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Sat 17 Oct
4:30PM
The Matrix Reloaded (M, 2003)
The Matrix Reloaded (M, 2003)
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Sat 17 Oct
7:50PM
The Matrix Revolutions (M, 2003)
The Matrix Revolutions (M, 2003)
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Sun 18 Oct
2:00PM
Classic Cartoons (PG)
Classic Cartoons (PG)
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Sun 18 Oct
3:45PM
Cast Away (M, 2000)
Cast Away (M, 2000)
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Sun 18 Oct
7:00PM
Runaway Train (M, 1985)
Runaway Train (M, 1985)
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Wed 21 Oct
7:20PM
The Saint (M, 1997)
The Saint (M, 1997)
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Thu 22 Oct
7:20PM
True Lies (M, 1994)
True Lies (M, 1994)
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Wed 28 Oct
7:20PM
The Exorcist: Extended Director's Cut (R 18+, 2000)
The Exorcist: Extended Director's Cut (R 18+, 2000)
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Thu 29 Oct
7:20PM
The Devil's Backbone (MA 15+, 2001) (ENG Subs)
The Devil's Backbone (MA 15+, 2001) (ENG Subs)
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Fri 30 Oct
7:20PM
Fright Night (M, 1985)
Fright Night (M, 1985)
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Sat 31 Oct
1:00PM
The Witches of Eastwick (M, 1987)
The Witches of Eastwick (M, 1987)
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Sat 31 Oct
3:45PM
Candyman (M, 1992)
Candyman (M, 1992)
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Sat 31 Oct
7:00PM
Scream (MA 15+, 1996)
Scream (MA 15+, 1996)
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Sun 1 Nov
2:00PM
Rats: Night of Terror (R 18+, 1984)
Rats: Night of Terror (R 18+, 1984)
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Sun 1 Nov
4:20PM
Amityville 3-D (M, 1983)
Amityville 3-D (M, 1983)
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Sun 1 Nov
7:00PM
The Thirteenth Floor (M, 1999)
The Thirteenth Floor (M, 1999)
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View or download our program for every film scheduled this month at The Revival House. Print it at home!

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A rich cinematic legacy in the heart of Perth, Western Australia

At The Revival House, we’re passionate about bringing the magic of classic cinema back to life at the heritage-listed Como Theatre. Built in 1938, this historic art deco style venue was Perth’s first purpose-built sound cinema South of the river - and we’re proud to honour its legacy by screening films just as they were meant to be seen: from original 16mm, 35mm, and 70mm prints. It’s not just nostalgia - it’s about the warmth, grain, and authenticity of film that digital can’t replicate. Every flicker tells a story, not just on screen, but the craft and care the director brings behind every frame.

We’re fully equipped to showcase cinema in its truest form, with expert projection and a wide range of audio formats - from classic Mono to full Dolby surround sound. Whether you’re revisiting a beloved classic or discovering a hidden gem, every screening at The Revival House is a communal celebration of storytelling, artistry, and the golden age of film. So come take a seat, soak in the atmosphere, and experience the wonder of real cinema again.

Get To Know Film At The Revival House

35mm refers to the width of a film stock used to shoot, print and present motion pictures. 16mm is the preferred size for smaller film projects and was a commercially available ‘home movie’ format. While film print is still in use today, 35mm was the most ubiquitous format for film production until the mid-2010s, when cinema exhibition rapidly converted to digital projection. The Revival House joins film makers, exhibitors and lovers of cinema worldwide in the film projection renaissance and preservation of its legacy as an art form.

The aspect ratio of a projected image on screen is the ratio of its width to its height. ‘Widescreen’ is a common term, referring to an image’s rectangular shape that measures 1.85 as wide to every increment of 1 it is high, resulting in its 1.85:1 aspect ratio. Another common aspect ratio is 2.35:1, or ‘Cinemascope’, which is shot on an anamorphic lens, squeezed into the frame on 35mm film stock and is then projected as a wider, stretched image on screen using an adapter.

Feature film prints are stored on individual reels in sequences of around 20 minutes in length, which means a standard 90 minute film requires around 5 reels. At The Revival House, the projectionist unspools each reel of film, splices them together into one large reel and places ito onto a ‘platter’ device that runs the film directly through one projector. This process doesn’t require changing any reels in sequence between two projectors and can provide one long, continuous loop. The projectionist also prepares for platter projection of a feature presentation by ‘making up’ the film into one large reel, which may include selected ads and trailers before the movie begins.

The audio that accompanies the picture is usually recorded and stored directly onto the film print. The audio can be either an analog sound track (recorded optically), or a digital sound track (recorded magnetically). The most common digital sound tracks for 35mm film prints emerged in the 1990’s and are used today, such as Dolby Digital and SDDS, which are stored on the film prints, and DTS, which is stored on compact discs, synchronised by a timecode track on the film.

Our Phone Policy

Please silence your phones and devices while the projector is running and film of any kind is being screened including ads, trailers, newsreels and shorts. We strive to provide an immersive experience for our audience and encourage the co-operation of all patrons to join in undisrupted viewing.

Clear violations of our policy will incur a friendly reminder, or possible ejection from our premises without refund if unobserved repeatedly.